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Debbie Richardson

Debbie has been a member of IATSE Local 680 since 1991. For the last 15 years, she has been the Call Steward for the Local, crewing shows like The Rolling Stones Bigger Bang Tour, the 2006 Juno Awards, numerous WE Day shows, several Cirque du Soleil shows, the annual Royal Nova Scotia International Tattoo, large and small corporate events as well as all shows at Scotiabank Centre in Halifax. Last year was the Local’s busiest year ever and 2020 was shaping up to be close to that volume. “The hardest thing about this shutdown has been the uncertainty of when people will be able to get back to work and just missing everyone,” Debbie says. Advocacy of the major entertainment unions has been pivotal in making sure that no one was left behind, and addressing flaws in the social safety net to government. This is especially important for workers who don’t fit in a normal work environment, such as live events where many are employed as “gig workers.”

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Jennifer Hildebrandt

Jennifer is the Production/Admin Assistant at The Starlite Room/ConcertWorks and former Account Manager for NASCO – A production technical staffing company for venues and event properties across Canada. Jennifer’s accounts included Rogers Centre, Budweiser Stage, RBC Echo Beach, Veld, and the Living Arts Centre. Her current role with The Starlite Room/ConcertWorks has helped establish the company as a major contributor, influence, and facilitator in showcasing international, domestic, and local artists in the City of Edmonton and the Province of Alberta. Jennifer is one of the founding members of the Canadian Independent Venue Coalition (CIVC), who has been advocating for live music venues and the music ecosystem in Canada. www.supportcanadianvenues.ca

With a background as a classically trained singer, Jennifer’s previous roles include tenures at Canadian Music Week, NXNE, production for AEG/Goldenvoice including Edgefest and Wakestock, and as a published music writer for BeatRoute, Hush Magazine, Abort Magazine, Punkanormal Activity, and The Spill Magazine.

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Nicole Goguen

Nicole Goguen is a 32-year-old technician that has been working in the live event industry for 14 years. Nicole has been instrumental in making #WeBuildEntertainment and #LightUpLive Toronto a reality. Starting her career in Saint John New Brunswick, and then moving to Toronto in 2012. After freelancing for many years in lighting she became a member of IATSE Local 58 as a board op and is currently the Head of Lighting at Medieval Times Toronto. As the founder of We Build Entertainment, Nicole works with technicians and other live event workers to bring people together and help build a stronger more unified community.

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Harrison Bye

Harrison has been an instrumental past of the Live Event Community execution team since its early days as an important resource for out-of-work workers. His knowledge of technology and social media made him an ideal candidate to maintain communication though Instagram, an important conduit to younger workers. His countless hours preparing for the Light Up Live execution on 22 September definitely paid off with the result being a social reach of 9 million and almost 12k posts over the week.

Harrison has been in the live event community for 12 years. Currently he is the head of audiovideo at Isabel Bader theatre at Victoria University. He also worked at TIFF Bell Lightbox as an Assistant Booth Manager before COVID-19. Pre-covid, Harrison spent his time supporting First Nations (1492 Landback Lane), Teachers, and the Encampment Safety Network (Instagram). During the pandemic he has learned how to make scrambled eggs like Gordon Ramsay (it doesn’t involve profanity or shouting).

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Howard Ungerleider

Once upon a time there was an incredible workforce involving thousands of people. These talented individuals ranged from musicians, actors, lecturers, creative show designers, stagehands, lighting and sound engineers, visual effects and laser technicians, transportation and logistics personnel, caterers, wardrobe assistants, bus drivers, structural engineers along with a vast array of support teams to backup and contribute their skills aiding all these people.

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Tony Crea

There is no one better to launch our Live Event Community Stories video series than Tony Crea. He started the T.I.N cup busking fundraiser weekly outside of Long & McQuade at Bloor & Ossington in to raise funds for “techs in need”.

“There are thousands of technicians across this country” who are out of work, says Tony. An industry veteran of 40 years, Tony has worked with many of them.

Check out how you can be featured and help tell our story!

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Pete Kadelbach

https://www.facebook.com/peter.kadelbach/posts/10157384960275373

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Roz

https://www.facebook.com/photo.php?fbid=10224788229995713

I had my first gig in 160 days. The amount of joy I got from one day of working my dream job again and almost feeling like things were back to normal is too much to put into words. I’m so grateful for such a treat. The next couple days are going to be hard though. Knowing that this isn’t going to happen again tomorrow or even for the foreseeable future is beyond heartbreaking. Trying to just sit with the pleasures of today.

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Jamie Shear

https://www.facebook.com/jamie.shear.1/posts/10164134833700652

to whom this may concern

My name is Jamie Shear resident of Ajax Ontario.As we move through these very complex times I want thank the government for the Cerb funds to help us get through at least a bit better financially.

I, like others are in the the performing arts industry and although the Ontario government is opening up more stages to get the economy moving our industry is still in crisis as we are very much in the dark of when we are able to get back some normal performing to audiences more than the set aloud in an indoor venue

At present the performing arts theaters have closed their doors until 2021 to restructure their venues into a safe environment and to bring back the confidence of clients who looked forward to going out once a week to see a show.

I myself a guitar player musical producer and director do have suggestions for the theater managers and promoters to get back on track. The summer Drive Inn concept although very good is very seasonal and when the weather turns we have to be ready for the the alternative. We need to allow more occupants in these venues socially distanced of course to comply with the venues and the promoters needs financially by way of two shows a day with the cooperation of the artists performing 2 shows a day for the price of one. Each show would be half capacity with no intermissions but we need to have the government allow more people per show.

While this may be up for discussion I have taken on some part time efforts to try and balance myself money wise but it is still not enough to sustain a living so I would hope that the government recognizes this instability with the performing arts community and continues to honor the Cerb benefits for those who need it most.

Best Regards

Jamie Shear

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