Categories
Uncategorized

IATSE Canada, with the generous support of the Canada Performing Arts Workers Resilience Fund, is excited to offer The LGBTQ2+ Workplace Inclusion Certificate!

OFFERED FREE OF CHARGE TO MEMBERS AND NON-MEMBERS: Thanks to CPAWRF (Canada Performing Arts Workers Resilience Fund) funding from the Government of Canada, we have paid for 100 spots for the LGBTQ2+ Workplace Inclusion Certificate – an online, take-at-your-own-pace course that is designed to empower workers to become allies to their LGBTQ2+ colleagues. After gaining confidence using the vocabulary associated with LGBTQ2+ identities, participants will learn strategies on how to combat biphobia, homophobia, and transphobia, and create positive change that allows everyone to achieve their full potential at work.

To register: https://tinyurl.com/IACourses2022

Space is limited.Employers: Are you interested in accessing training funding through the Canada Performing Arts Workers Resilience Fund? Contact International Representatives Jason Vergnano jvergnano@iatse.net or Cindy Jennings cjennings@iatse.net to discuss how to apply to receive support for your training initiatives.

Categories
Community News

IATSE Canada, with the generous support of the Canada Performing Arts Workers Resilience Fund, is excited to offer Mental Health First Aid 

Date: December 7th & 8th

Time: 12:00 pm – 4:00 pm EST each day 

Location: ON-LINE Space is limited. Mental health first aid is the support provided to a person who may be experiencing a decline in their mental well-being or a mental health crisis. Most people are familiar with CPR and know what to do when they are faced with a cardiac emergency. However, would you know what to do if you were faced with someone having a mental health emergency? Now more than ever, it can be vital to understand the signs and symptoms of someone in a mental health crisis and know how to help.

The course was developed by the Mental Health Commission of Canada. During the course, the participants will learn how to:

  â–Ş Recognize signs that a person may be experiencing a decline in their mental well-being or a mental health

 crisis.

â–Ş Find and reach out to professional and other supports that could help with recovery to improved mental well-

being.

â–Ş Assist in a mental health or substance use crisis.

â–Ş Use MHFA actions to maintain one’s own mental well-being.

 COURSE DETAILS

  â–Ş 8 hours of instruction: 2 hours of self-directed study, plus two 3-hour virtual classroom sessions.

 â–Ş Self-study Online Module 1: access link will be sent to course participants by email after their registration has been processed but not later than 2 weeks before the course start date.

â–Ş Virtual Classroom Modules 2 and 3: delivered via Zoom.

This course is open to all performing arts workers and is being offered at no cost as part of the trainings the IATSE is providing through the Canada Performing Arts Workers Resilience Fund. To access this training free of charge, you must register through this link : https://tinyurl.com/IACourses2022

Further registration may be required by the vendor

Employers: Are you interested in accessing training funding through the Canada Performing Arts Workers Resilience Fund? Contact International Representatives Jason Vergnano jvergnano@iatse.net or Cindy Jennings cjennings@iatse.net to discuss how to apply to receive support for your training initiatives.

Categories
Community News

Pyrotechnics Safety and Legal Awareness – DEC 10 2022

Presented by Gunsmoke Canada

December 10, 2022
10:00am – 5:00pm ET
ONLINE

This course is the prerequisite for Pyrotechnics Certification in Canada. Special Effects Pyrotechnics are regulated by a division of NRCAN (Natural Resources Canada), ERD (Explosives Regulatory Division). This course allows the successful participant to apply for certification as a Pyrotechnician; the entry level of pyrotechnics certification. After successfully completing the course, participants will receive an ROT (Record of Training) from Gunsmoke, which can be submitted to the ERD to receive a certificate.

Further information regarding this course can be found here:
https://www.nrcan.gc.ca/explosives/fireworks/9889


Normally $240.00, this course is open to all and is being offered at no cost as part of the trainings the


IATSE is providing through the Canada Performing Arts Workers Resilience Fund (CPAWRF). To access this training free of charge, you must register through this link: https://tinyurl.com/IACourses2022


Upon successful completion of the course, you will be required to registered with the Explosives Regulatory Division in order to receive your licence, at a cost of $102.00. This amount will be refunded by the CPAWRF by submitting a copy of your license and proof of payment to either Jason Vergnano at jvergnano@iatse.net, or Cindy Jennings at cjennings@iatse.net.

Space is limited!

** Further registration information may be required by the vendor.

Employers: Are you interested in accessing training funding through the Canada Performing Arts Workers Resilience Fund? Contact International Representatives Jason Vergnano jvergnano@iatse.net or Cindy Jennings cjennings@iatse.net to discuss how to apply to receive support for your training initiatives.

Categories
Community News Newsletter

Pyrotechnics Safety and Legal Awareness

Presented by Gunsmoke Canada

December 4th, 2022   

10:00 am – 5:00 pm EST

ON-LINE

This course is the prerequisite for Pyrotechnics Certification in Canada. Special Effects Pyrotechnics are regulated by a division of NRCAN (Natural Resources Canada), ERD (Explosives Regulatory Division). This course allows the successful participant to apply for certification as a “Pyrotechnician”, the entry level of pyrotechnics certification.  After successfully completing the course participants will receive an ROT (Record of Training) from Gunsmoke, that can be submitted to the ERD to receive a certificate.

Further information regarding this course can be found here: https://www.nrcan.gc.ca/explosives/fireworks/9889

This Course, normally $240.00  is open to everyone and is being offered at no cost as part of the Canadian Performing Arts Workers Resilience Fund if you register through this link   https://tinyurl.com/IACourses2022

But space is limited. Register Now

Employers: Are you interested in accessing training funding through the Canadian Performing Arts Workers Resilience Fund? Contact International Representatives Jason Vergnano jvergnano@iatse.net or Cindy Jennings cjennings@iatse.net to discuss how to apply to receive support for your training initiatives.

Categories
Community News

Arts Workers Resilience Fund – TRAINING FUND

IATSE Local 58 is now Offering training that is in whole or in part funded thru the Canada Performing Arts Workers Resilience Fund TRAINING FUND.  This training is open to anyone interested in working in live events. Course such as working at heights, Machine safety and Operation as well as entertainment skills training could be covered by this fund.

To be notified of these opportunities please follow the following link 

https://forms.gle/iYFW3hzrAy9CwTZu5

To find out more about this program Follow this link 

“This project is funded [in part] by the Government of Canada.”

“This project is funded [in part] by the Government of Canada.”


La section locale 58 de l’IATSE propose dĂ©sormais une formation financĂ©e en tout ou en partie par le FONDS DE FORMATION Fonds du Canada pour la rĂ©silience des travailleurs des arts de la scène. Cette formation est ouverte Ă  toute personne intĂ©ressĂ©e Ă  travailler dans des Ă©vĂ©nements en direct. Des cours tels que le travail en hauteur, la sĂ©curitĂ© et le fonctionnement des machines, ainsi que la formation aux techniques de divertissement, pourraient ĂŞtre couverts par ce fonds.

Pour être informé de ces opportunités, veuillez suivre le lien suivant

https://forms.gle/iYFW3hzrAy9CwTZu5

Pour en savoir plus sur ce programme Suivez ce lien

Ce projet est financé [en partie] par le gouvernement du Canada.
  • Ce projet est financĂ© [en partie] par le gouvernement du Canada.
Categories
Community News

#LightUpLive 2021

A little under a year ago, the entire Live Event Community came together to demonstrate to Canadians that we were strong, and in need of support.

Through the advocacy of many members, we have come a long way towards a restart, and it is time to celebrate those milestones. It’s election time, and it is more important than ever to show that we are not back to normal.

The people, companies and venues who are the heart of this billion dollar business are still vulnerable across Canada. Many have left the industry altogether, and those left still need financial support until we can get back to full capacity events. Partial audiences and enhanced health and safety requirements make it difficult or impossible to financially sustain many productions.

Political parties are listening, and candidates need your votes. Make sure that YOU are seen and heard.

On 22 September, we are calling on you to light up your venues in red in support of the vibrant live event community from coast to coast. Mark the date in your calendars, and help Canada #lightuplive #eclaironslesscenes next month. #wemakeevents

Categories
News

Inconsistent lockdown protocols hamper live performing arts

On the thewholenote.com, author Paul Ennis writes about the devastating effect of closing live performance venues to non-audience activities under the current Ontario stay-at-home order.

Meanwhile, even though many TAPA member companies have temporarily shifted to hybrid theatre, dance and opera models that include livestreaming, pre-recorded film and digitization, “entertainment concert venues, theatres and cinemas (includes drive-in or drive-through events) [are] closed for all purposes, including rehearsing or performing a recorded or broadcasted event, artistic event, theatrical performance or other performance.” However, the letter points out, the Businesses Permitted to Open and Sector Specific Restrictions (14) have allowed film and television to continue to operate: commercial film and television production, including all supporting activities such as hair, makeup and wardrobe.”

Categories
Community

Brent Sandrock

Brent is a lighting and media designer who has worked throughout the entertainment industry for over 15 years. He spent time video directing tours, programming lights for concerts, corporates, and cruise ships, and shooting and editing custom content with his company Creative Lumens, Inc. With a passion for music and the live event experience, Brent has always looked for ways to showcase the amalgam of art and technology that exists uniquely in this industry. He looks forward to once again experiencing the high we get when everything is set up, thousands of people are gathered together, and the show is about to start.

His Gingerbread Roadie stop-motion animation on social media received over 25,000 views in less than 2 weeks, and helped raise awareness and funds for the wemakeevents.org organization in the United States.

Categories
Community

Mike Maclean

Mike has been working 38 years in the live entertainment industry.  He is a proud member of  IATSE Local 357 and is the Head Stage Electrician at Centre in the Square.  Currently, they are working a modified contract recording symphony concerts with drastically reduced hours.  Mike is also an Entertainer Motorcoach Fleet Owner.  COVID has forced to cancel the touring schedule completely for the past 8 months. Mike says “It has been tough to lay off staff, keep the fleet in good mechanical order, and keep current with expenses like insurance, taxes, etc.  But on the bright side, we have been able to expand our fleet in order to be ready for when our industry reopens.”   Mike has hope and looks forward to the day where we can be working together again!

Categories
Community

Antony Kahil

Antony is from Halifax, Nova Scotia. He has been in the entertainment industry for 7 years. Working from general AV to lighting/video. Antony now lives in Toronto and freelances for various companies pre-covid. He currently does lighting and video for live music, broadcast, and corporate events. Currently, Antony is waiting for the world to recover so the industry can get back to doing what we all love the most and that we so desperately miss.