Anthony is from Halifax, Nova Scotia. He has been in the entertainment industry for 7 years. Working from general AV to lighting/video. Anthony now lives in Toronto and freelances for various companies pre-covid. He currently does lighting and video for live music, broadcast, and corporate events. Currently, Anthony is waiting for the world to recover so the industry can get back to doing what we all love the most and that we so desperately miss.
Sabrina has an 18-year career in live events that has included both theatre and corporate events. She is currently the Operations Manager of the Pumphouse Theatres in Calgary and freelances as a Production Manager and Lighting Technician. The Pumphouse Theatres have a focus on education as well as supporting community, small and emerging organizations produce live events safely. Assisting the live events community to navigate safety, government regulation, and best working practices is something that is very important to Sabrina. This is why she joined the committee for the Calgary effort for #Lightuplive. Being able to draw attention to the size, scope of the impacted people, and supply chain for live events in Calgary was a privilege currently unparalleled in her career. There is currently no safe way to gather in large groups all we can do is work together to mitigate the risks of gathering, keep humanizing the statistics for our industry and support each other during these unusual times.
Debbie has been a member of IATSE Local 680 since 1991. For the last 15 years, she has been the Call Steward for the Local, crewing shows like The Rolling Stones Bigger Bang Tour, the 2006 Juno Awards, numerous WE Day shows, several Cirque du Soleil shows, the annual Royal Nova Scotia International Tattoo, large and small corporate events as well as all shows at Scotiabank Centre in Halifax. Last year was the Local’s busiest year ever and 2020 was shaping up to be close to that volume. “The hardest thing about this shutdown has been the uncertainty of when people will be able to get back to work and just missing everyone,” Debbie says. Advocacy of the major entertainment unions has been pivotal in making sure that no one was left behind, and addressing flaws in the social safety net to government. This is especially important for workers who don’t fit in a normal work environment, such as live events where many are employed as “gig workers.”
Jennifer is the Production/Admin Assistant at The Starlite Room/ConcertWorks and former Account Manager for NASCO – A production technical staffing company for venues and event properties across Canada. Jennifer’s accounts included Rogers Centre, Budweiser Stage, RBC Echo Beach, Veld, and the Living Arts Centre. Her current role with The Starlite Room/ConcertWorks has helped establish the company as a major contributor, influence, and facilitator in showcasing international, domestic, and local artists in the City of Edmonton and the Province of Alberta. Jennifer is one of the founding members of the Canadian Independent Venue Coalition (CIVC), who has been advocating for live music venues and the music ecosystem in Canada. www.supportcanadianvenues.ca
With a background as a classically trained singer, Jennifer’s previous roles include tenures at Canadian Music Week, NXNE, production for AEG/Goldenvoice including Edgefest and Wakestock, and as a published music writer for BeatRoute, Hush Magazine, Abort Magazine, Punkanormal Activity, and The Spill Magazine.
Nicole Goguen is a 32-year-old technician that has been working in the live event industry for 14 years. Nicole has been instrumental in making #WeBuildEntertainment and #LightUpLive Toronto a reality. Starting her career in Saint John New Brunswick, and then moving to Toronto in 2012. After freelancing for many years in lighting she became a member of IATSE Local 58 as a board op and is currently the Head of Lighting at Medieval Times Toronto. As the founder of We Build Entertainment, Nicole works with technicians and other live event workers to bring people together and help build a stronger more unified community.
This Thanksgiving weekend we would like to express our thanks to the amazing live event community. In the absence of shows, concerts and conventions, we may not have not been as connected with our ‘work families’ as usual – it certainly isn’t the same. It might seem unusual to grieve this change, but know that it is allowed and acceptable. We hope that you found some hope and solace this holiday weekend. We are all in this together.We continue to post Canadian resources on liveeventcommunity.com that will provide you with financial, health and training support. If you would like to add your own resource, please let us know about it.
The Canada Recovery Benefit (CRB)
Today is the first day to apply for your initial 2 week CRB supplement. This program replaces the CERB, and can pay out if, during a previous 2-week period, you could not work or your income was reduced by 50% compared to last year.
For this Member Monday, we highlight each of you. If it wasn’t for the people who write, follow and perform scripts and runsheets, who build the sets and set the tables, who roll the road cases and sell the tickets
– if it wasn’t for YOU –
there would be no live events.
Hot on the heels of a successful Canadian Day of Visibility for the Live Event Community, the global organization #WeMakeEvents is calling on live event companies and people to reach out across the world.
Harrison has been an instrumental past of the Live Event Community execution team since its early days as an important resource for out-of-work workers. His knowledge of technology and social media made him an ideal candidate to maintain communication though Instagram, an important conduit to younger workers. His countless hours preparing for the Light Up Live execution on 22 September definitely paid off with the result being a social reach of 9 million and almost 12k posts over the week.
Harrison has been in the live event community for 12 years. Currently he is the head of audiovideo at Isabel Bader theatre at Victoria University. He also worked at TIFF Bell Lightbox as an Assistant Booth Manager before COVID-19. Pre-covid, Harrison spent his time supporting First Nations (1492 Landback Lane), Teachers, and the Encampment Safety Network (Instagram). During the pandemic he has learned how to make scrambled eggs like Gordon Ramsay (it doesn’t involve profanity or shouting).
Ce que nous avons vu mardi était sans précédent. Les lieux d’événements en direct, les fournisseurs et les travailleurs du théâtre, du spectacle, des événements d’entreprise et des secteurs connexes se sont réunis. Ils ont mis en lumière l’ensemble de notre industrie à l’un des moments les plus sombres de son histoire.
Merci de vous être rassemblés (dans l’esprit, puisque nous devons tous garder nos distances physiques) lors de la journée de visibilité de la communauté du spectacle vivant. Nous avons demandé votre aide et vous avez répondu: #LightUpLive #EclaironsLesScenes a été publié 11 000 fois cette semaine, atteignant 11 millions de comptes, et #LightUpLive s’est classé numéro 2 au Canada pendant presque une journée Félicitations !
What we saw on Tuesday was unprecedented. Live event venues, suppliers, and workers across the theatre, performance, corporate event, and related sectors came together. They shone a light on our entire industry at one of the darkest times in its history.
Thank you for standing together (in spirit, since we must all keep our physical distance) on the Day of Visibility for the Live Event Community. We asked for your help, and you responded: #LightUpLive #EclaironsLesScenes was posted 11,000 times this week, reaching 11 million accounts, and #LightUpLive trended to #2 in Canada for almost a day. Congratulations!